SPECTRAL ARCHIVE, 2023
is about the process of memory reconstruction by bridging the gap between my digital and physical recollections.
it draws upon knowledge from memory-based records-keeping, aiming to interrogate the significance of archival documentation in the act of “recalling.”
INVISIBLE FEAST, 2023
discusses the diversity and possibilities of future dietary structures in the current context of the food crisis.
by simulating a future in which extinct animals and sustainable protein sources are used as ingredients, efforts towards a “future-proof” diet are re-examined from an ironic perspective.
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THE VISITOR, 2022
explores the hypothesis of a future where humans are able to travel back in time to change their regretful decisions as "visitors".
five refractive mediums are used as carriers of transportation through the past and future to express my concerns about human’s self-destructive tendencies with metaphors: any attempt to change the past for self-protection will only lead to a more collapsed future.
GUTTER AND SOUL, 2022
explores the conception of “otherness”: what kind of life is accepted by the majority as satisfactory, and guaranteed to be free from defects and judgement.
a series of surreal scenes and items are used to show the subtle poisoning and emasculation of the “minorities."
DIALOGUE, 2022
discusses the association between attachment orientations and relationship dynamics in partners.
with pursuit and distancing as the main theme, voices of couples with different attachment types in various scenarios are visualised as a typeface to highlight the relational basis of intimate violence.
ANOTHER ROMANCE, 2022
explores the essence of intimate relationships and the invisible and explicit links (emotions and space etc.) among them: a 'cocoon' woven and constructed from secrets of just between couples.
gestures, emotions and unspoken messages gradually become the mainstay of their communication within it, to the point of creating a “language system” that is incomprehensible to others.
OBLOOM, 2021
discusses the unnoticed moments that play an important role in life.
six growth phases of plants are used as analogies representing these moments. Corresponding solutions are also proposed so that users will be reminded of the fragmented moments that were once forgotten through these supplies.
UTOPIA, 2020
is about childhood trauma and utopian aspirations. It seeks to understand and express the lasting impact of adverse family experiences on growth.
it explores personal narratives through four chapters, drawing knowledge from media memory theories. Through material and textual experimentation, it aims to challenge societal norms and envision a utopian future free from violence and pain.